98 bars of 6/4 -- not four -- at 150 BPM, 3:55 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 23-31 and 49-58 -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 32, 60, 61, 63, 64 and 65.
98 bars across 7 sections: 52 keep time, 6 are fills, 1 is a stop and 32 are silent. The longest unbroken stretch of time is bars 1-12.
150 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
25 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
98 bars, about 3:55 at the written tempo. The course breaks it into 18 exercises over 4 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 32, 60, 61, 63, 64 and 65.