159 bars at 160 BPM -- fast, and 3:59 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 33-35, 37-39 and 41-43, and 9 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 40, 44, 48, 52, 76, 84 and 8 more.
3 more fills are written out on the fills page.
159 bars across 19 sections: 95 keep time, 14 are fills, 17 are stops and 14 are silent. The longest unbroken stretch of time is bars 4-11.
160 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
159 bars, about 3:59 at the written tempo. The course breaks it into 50 exercises over 18 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 40, 44, 48, 52, 76, 84 and 8 more.