148 bars of 4/4 at 150 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 130-148 -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 18 times: bars 25, 37, 48, 49, 53, 61 and 12 more.
7 more fills are written out on the fills page.
148 bars across 14 sections: 72 keep time, 18 are fills, 12 are stops and 30 are silent. The longest unbroken stretch of time is bars 130-148.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
148 bars, about 3:56 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 25, 37, 48, 49, 53, 61 and 12 more.