163 bars of 4/4 at a walking 88 BPM, 7:25 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-35, 42-43 and 46-47, and 4 more places -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 42 times: bars 4, 16, 18, 24, 26, 32 and 36 more.
17 more fills are written out on the fills page.
163 bars across 20 sections: 92 keep time, 42 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 78-89.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
163 bars, about 7:25 at the written tempo. The course breaks it into 75 exercises over 23 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 42 times: bars 4, 16, 18, 24, 26, 32 and 36 more.