124 bars at 155 BPM -- fast, and 3:23 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12, 16 and 21, and 13 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 45 times: bars 1, 2, 3, 14, 18, 19 and 39 more.
13 more fills are written out on the fills page.
124 bars across 10 sections: 60 keep time, 45 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 50-55.
155 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
124 bars, about 3:23 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 45 times: bars 1, 2, 3, 14, 18, 19 and 39 more.