138 bars of 4/4 at 152 BPM, about 3:38 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 21-27 and 29-31, and 5 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 23 times: bars 4, 8, 12, 16, 20, 28 and 17 more.
13 more fills are written out on the fills page.
138 bars across 13 sections: 84 keep time, 23 are fills, 14 are stops and 4 are silent. The longest unbroken stretch of time is bars 76-85.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
138 bars, about 3:38 at the written tempo. The course breaks it into 58 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 23 times: bars 4, 8, 12, 16, 20, 28 and 17 more.