127 bars at 155 BPM -- fast, and 3:10 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 67-74 and 77-83 -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 27 times: bars 2, 4, 6, 8, 12, 16 and 21 more.
11 more fills are written out on the fills page.
127 bars across 13 sections: 52 keep time, 28 are fills, 27 are stops and 9 are silent. The longest unbroken stretch of time is bars 68-83.
155 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
127 bars, about 3:10 at the written tempo. The course breaks it into 50 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 27 times: bars 2, 4, 6, 8, 12, 16 and 21 more.