580 bars, 30:16, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 78-81, 185 and 187, and 9 more places -- 6.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52 fills to learn, played 111 times: bars 25, 61, 65, 71, 73, 86 and 105 more.
48 more fills are written out on the fills page.
580 bars across 49 sections: 351 keep time, 111 are fills, 38 are stops and 17 are silent. The longest unbroken stretch of time is bars 37-60.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
580 bars, about 30:16 at the written tempo. The course breaks it into 191 exercises over 62 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
52 fills to learn, played 111 times: bars 25, 61, 65, 71, 73, 86 and 105 more.