168 bars at 170 BPM -- fast, and 3:57 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-40, 58-59 and 62-68, and 4 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 34 times: bars 19, 21, 23, 25, 27, 33 and 28 more.
19 more fills are written out on the fills page.
168 bars across 16 sections: 84 keep time, 34 are fills, 27 are stops and 7 are silent. The longest unbroken stretch of time is bars 2-16.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
168 bars, about 3:57 at the written tempo. The course breaks it into 64 exercises over 15 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 34 times: bars 19, 21, 23, 25, 27, 33 and 28 more.