117 bars of 4/4 at 114 BPM, about 4:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 14-16, and 8 more places -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 7 times: bars 24, 52, 60, 68, 92, 100 and 1 more.
1 more fill is written out on the fills page.
117 bars across 7 sections: 66 keep time, 7 are fills, 19 are stops and 21 are silent. The longest unbroken stretch of time is bars 25-51.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
117 bars, about 4:06 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 24, 52, 60, 68, 92, 100 and 1 more.