102 bars of 4/4 at 127 BPM, about 3:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-4, 7 and 26-32, and 8 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 19 times: bars 5, 8, 9, 10, 14, 24 and 13 more.
7 more fills are written out on the fills page.
102 bars across 10 sections: 64 keep time, 20 are fills and 6 are stops. The longest unbroken stretch of time is bars 17-23.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
102 bars, about 3:11 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 5, 8, 9, 10, 14, 24 and 13 more.