104 bars of 4/4 at 150 BPM, about 2:46 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 7, and 11 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 27 times: bars 2, 4, 12, 14, 15, 16 and 21 more.
8 more fills are written out on the fills page.
104 bars across 15 sections: 45 keep time, 27 are fills, 15 are stops and 6 are silent. The longest unbroken stretch of time is bars 5-8.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
104 bars, about 2:46 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 2, 4, 12, 14, 15, 16 and 21 more.