98 bars of 4/4 at 145 BPM, about 2:42 of playing, on crash, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12-14, 36 and 38, and 7 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 1, 11, 15, 19, 27, 31 and 16 more.
6 more fills are written out on the fills page.
98 bars across 13 sections: 42 keep time, 22 are fills, 22 are stops and 1 is silent. The longest unbroken stretch of time is bars 4-10.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
98 bars, about 2:42 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 29 minutes each.
crash, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.
10 fills to learn, played 22 times: bars 1, 11, 15, 19, 27, 31 and 16 more.