68 bars of 4/4 at a walking 95 BPM, 2:52 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-28, 60-62 and 64-66 -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 7 times: bars 6, 22, 23, 24, 25, 45 and 1 more.
68 bars across 12 sections: 38 keep time, 7 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 61-68.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 75 out of 100; the rest of the number is everything around it.
68 bars, about 2:52 at the written tempo. The course breaks it into 27 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 7 times: bars 6, 22, 23, 24, 25, 45 and 1 more.