120 bars at 180 BPM -- fast, and 2:40 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18, 20 and 22-24, and 18 more places -- 30.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 14 times: bars 16, 29, 32, 40, 48, 56 and 8 more.
4 more fills are written out on the fills page.
120 bars across 11 sections: 83 keep time, 14 are fills, 4 are stops and 6 are silent. The longest unbroken stretch of time is bars 106-115.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
120 bars, about 2:40 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 16, 29, 32, 40, 48, 56 and 8 more.