160 bars at 175 BPM -- fast, and 3:59 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 42-49, 120-128 and 130-131, and 1 more place -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 29 times: bars 9, 13, 22, 24, 25, 29 and 23 more.
8 more fills are written out on the fills page.
160 bars across 15 sections: 94 keep time, 29 are fills, 4 are stops and 16 are silent. The longest unbroken stretch of time is bars 121-132.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
160 bars, about 3:59 at the written tempo. The course breaks it into 63 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 29 times: bars 9, 13, 22, 24, 25, 29 and 23 more.