121 bars of 4/4 at 153 BPM, about 3:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 90-92, 94-96 and 98-100, and 4 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 37 times: bars 1, 2, 3, 4, 5, 6 and 31 more.
7 more fills are written out on the fills page.
121 bars across 11 sections: 65 keep time, 37 are fills, 7 are stops and 5 are silent. The longest unbroken stretch of time is bars 42-48.
153 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
121 bars, about 3:17 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 37 times: bars 1, 2, 3, 4, 5, 6 and 31 more.