140 bars at 186 BPM -- fast, and 3:01 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 48-51, and 10 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 18 times: bars 2, 3, 14, 15, 16, 20 and 12 more.
6 more fills are written out on the fills page.
140 bars across 12 sections: 89 keep time, 18 are fills and 16 are stops. The longest unbroken stretch of time is bars 128-139.
186 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
140 bars, about 3:01 at the written tempo. The course breaks it into 50 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 2, 3, 14, 15, 16, 20 and 12 more.