162 bars of 4/4 at a walking 80 BPM, 8:02 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 57, 68-73 and 77, and 8 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 17 times: bars 32, 96, 122, 124, 125, 126 and 11 more.
5 more fills are written out on the fills page.
162 bars across 10 sections: 124 keep time, 17 are fills and 7 are stops. The longest unbroken stretch of time is bars 1-28.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
162 bars, about 8:02 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 32, 96, 122, 124, 125, 126 and 11 more.