121 bars of 4/4 at a walking 87 BPM, 5:34 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-22, 26 and 28, and 7 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 17 times: bars 8, 9, 17, 23, 25, 41 and 11 more.
9 more fills are written out on the fills page.
121 bars across 9 sections: 78 keep time, 17 are fills, 15 are stops and 1 is silent. The longest unbroken stretch of time is bars 65-72.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
121 bars, about 5:34 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 17 times: bars 8, 9, 17, 23, 25, 41 and 11 more.