150 bars at 186 BPM -- fast, and 3:14 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 89-91, 93-95 and 97-99, and 5 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 7, 8, 16, 32, 40, 47 and 7 more.
4 more fills are written out on the fills page.
150 bars across 13 sections: 113 keep time, 13 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 89-115.
186 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
150 bars, about 3:14 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 7, 8, 16, 32, 40, 47 and 7 more.