95 bars of 4/4 at a walking 86 BPM, 4:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 33-39, 58-64 and 82-84, and 4 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 15 times: bars 31, 32, 40, 56, 57, 65 and 9 more.
1 more fill is written out on the fills page.
95 bars across 8 sections: 68 keep time, 15 are fills and 3 are stops. The longest unbroken stretch of time is bars 1-18.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
95 bars, about 4:25 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 15 times: bars 31, 32, 40, 56, 57, 65 and 9 more.