141 bars of 4/4 at 152 BPM, about 3:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 27-28, 31-32 and 51, and 14 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 9 times: bars 24, 30, 46, 47, 48, 50 and 3 more.
2 more fills are written out on the fills page.
141 bars across 10 sections: 96 keep time, 9 are fills, 19 are stops and 7 are silent. The longest unbroken stretch of time is bars 7-23.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
141 bars, about 3:43 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 24, 30, 46, 47, 48, 50 and 3 more.