141 bars at 170 BPM -- fast, and 3:25 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 10 and 14, and 19 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 14 times: bars 4, 8, 12, 13, 15, 24 and 8 more.
7 more fills are written out on the fills page.
141 bars across 14 sections: 70 keep time, 14 are fills, 38 are stops and 4 are silent. The longest unbroken stretch of time is bars 17-23.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
141 bars, about 3:25 at the written tempo. The course breaks it into 50 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 14 times: bars 4, 8, 12, 13, 15, 24 and 8 more.