246 bars of 4/4 at a walking 95 BPM, 10:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-41, 51-53 and 55-56, and 2 more places -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 33 times: bars 21, 42, 50, 54, 57, 58 and 27 more.
13 more fills are written out on the fills page.
246 bars across 16 sections: 192 keep time, 33 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 204-222.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
246 bars, about 10:21 at the written tempo. The course breaks it into 59 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 33 times: bars 21, 42, 50, 54, 57, 58 and 27 more.