147 bars of 4/4 at 122 BPM, about 4:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 25-27, and 9 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 16, 43, 44, 45, 52, 81 and 7 more.
3 more fills are written out on the fills page.
147 bars across 10 sections: 114 keep time, 14 are fills, 2 are stops and 9 are silent. The longest unbroken stretch of time is bars 58-80.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on how often it moves around the kit. The beat itself is 50 out of 100; the rest of the number is everything around it.
147 bars, about 4:49 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 16, 43, 44, 45, 52, 81 and 7 more.