85 bars, 5:04, at 67 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 5-6, 9-10 and 13-14, and 7 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 52, 60 and 68.
85 bars across 6 sections: 70 keep time, 3 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 30-51.
67 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
85 bars, about 5:04 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 52, 60 and 68.