204 bars of 4/4 at 120 BPM, about 6:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 152-159, 162-169 and 174-177, and 2 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 34 times: bars 18, 20, 22, 24, 26, 28 and 28 more.
13 more fills are written out on the fills page.
204 bars across 22 sections: 128 keep time, 34 are fills, 12 are stops and 7 are silent. The longest unbroken stretch of time is bars 175-204.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
204 bars, about 6:48 at the written tempo. The course breaks it into 57 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 34 times: bars 18, 20, 22, 24, 26, 28 and 28 more.