127 bars, 7:03, at 72 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 42, 44-53 and 55-64, and 4 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 32 times: bars 9, 10, 13, 14, 17, 18 and 26 more.
8 more fills are written out on the fills page.
127 bars across 5 sections: 85 keep time, 32 are fills and 5 are stops. The longest unbroken stretch of time is bars 67-84.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
127 bars, about 7:03 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 32 times: bars 9, 10, 13, 14, 17, 18 and 26 more.