141 bars, 11:04, at 51 BPM: slow enough that every note is exposed. Crash, ride, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 42-43, 56-57 and 72-73 -- 6.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 36 times: bars 54, 55, 56, 57, 58, 59 and 30 more.
6 more fills are written out on the fills page.
141 bars across 9 sections: 42 keep time, 36 are fills, 4 are stops and 53 are silent. The longest unbroken stretch of time is bars 39-49.
51 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
54 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 59 out of 100; the rest of the number is everything around it.
141 bars, about 11:04 at the written tempo. The course breaks it into 39 exercises over 14 sittings, about 26 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 36 times: bars 54, 55, 56, 57, 58, 59 and 30 more.