28 bars of 4/4 at 140 BPM, about 0:48 of playing, on crash, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-14, 17-18 and 21-22, and 1 more place -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 8 times: bars 5, 6, 7, 8, 9, 10 and 2 more.
28 bars across 3 sections: 15 keep time, 8 are fills and 4 are silent. The longest unbroken stretch of time is bars 14-28.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
28 bars, about 0:48 at the written tempo. The course breaks it into 6 exercises over 3 sittings, about 19 minutes each.
crash, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.
1 fill to learn, played 8 times: bars 5, 6, 7, 8, 9, 10 and 2 more.