315 bars of 3/4 -- not four -- at 110 BPM, 9:24 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 63, 67 and 71, and 26 more places -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 61 times: bars 23, 25, 27, 35, 37, 39 and 55 more.
22 more fills are written out on the fills page.
315 bars across 20 sections: 96 keep time, 62 are fills, 115 are stops and 21 are silent. The longest unbroken stretch of time is bars 215-221.
110 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
315 bars, about 9:24 at the written tempo. The course breaks it into 88 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 61 times: bars 23, 25, 27, 35, 37, 39 and 55 more.