71 bars of 4/4 at a walking 100 BPM, 2:50 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 21-23 and 33-35, and 5 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 18 times: bars 12, 28, 32, 38, 39, 40 and 12 more.
5 more fills are written out on the fills page.
71 bars across 13 sections: 34 keep time, 18 are fills and 6 are silent. The longest unbroken stretch of time is bars 5-11.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
71 bars, about 2:50 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 12, 28, 32, 38, 39, 40 and 12 more.