235 bars of 4/4 at 148 BPM, about 6:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 28, 34 and 39, and 8 more places -- 5.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 36 times: bars 1, 2, 3, 4, 5, 6 and 30 more.
11 more fills are written out on the fills page.
235 bars across 20 sections: 92 keep time, 36 are fills, 56 are stops and 33 are silent. The longest unbroken stretch of time is bars 77-90.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
235 bars, about 6:28 at the written tempo. The course breaks it into 69 exercises over 18 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 36 times: bars 1, 2, 3, 4, 5, 6 and 30 more.