101 bars, 5:17, at 71 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 6-7, 12 and 15, and 5 more places -- 11.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 8 times: bars 24, 25, 51, 56, 58, 60 and 2 more.
2 more fills are written out on the fills page.
101 bars across 14 sections: 53 keep time, 8 are fills, 13 are stops and 11 are silent. The longest unbroken stretch of time is bars 5-9.
71 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
48 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 21 out of 100; the rest of the number is everything around it.
101 bars, about 5:17 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 24, 25, 51, 56, 58, 60 and 2 more.