105 bars of 4/4 at a walking 93 BPM, 4:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 40-47, 79-82 and 85-86, and 1 more place -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 19 times: bars 4, 5, 7, 8, 9, 10 and 13 more.
2 more fills are written out on the fills page.
105 bars across 12 sections: 47 keep time, 19 are fills, 13 are stops and 20 are silent. The longest unbroken stretch of time is bars 65-78.
93 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 12 out of 100; the rest of the number is everything around it.
105 bars, about 4:29 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 19 times: bars 4, 5, 7, 8, 9, 10 and 13 more.