137 bars of 4/4 at a walking 86 BPM, 6:15 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-7, 9-11 and 15 -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 11 times: bars 16, 18, 22, 28, 31, 70 and 5 more.
5 more fills are written out on the fills page.
137 bars across 11 sections: 65 keep time, 11 are fills, 53 are stops and 4 are silent. The longest unbroken stretch of time is bars 32-45.
86 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
137 bars, about 6:15 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 16, 18, 22, 28, 31, 70 and 5 more.