158 bars of 4/4 at a walking 96 BPM, 6:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28, 38 and 41-49 -- 7.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 14 times: bars 24, 25, 40, 63, 71, 79 and 8 more.
8 more fills are written out on the fills page.
158 bars across 18 sections: 97 keep time, 14 are fills, 21 are stops and 19 are silent. The longest unbroken stretch of time is bars 10-19.
96 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 33 out of 100; the rest of the number is everything around it.
158 bars, about 6:31 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 14 times: bars 24, 25, 40, 63, 71, 79 and 8 more.