102 bars of 4/4 at 110 BPM, about 3:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 28, and 4 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 18 times: bars 4, 21, 25, 27, 29, 37 and 12 more.
7 more fills are written out on the fills page.
102 bars across 15 sections: 36 keep time, 18 are fills, 27 are stops and 9 are silent. The longest unbroken stretch of time is bars 30-33.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 11 out of 100; the rest of the number is everything around it.
102 bars, about 3:43 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 18 times: bars 4, 21, 25, 27, 29, 37 and 12 more.