129 bars of 4/4 at 135 BPM, about 3:49 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-35, 45-47 and 61, and 6 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 9 times: bars 12, 24, 28, 48, 80, 84 and 3 more.
1 more fill is written out on the fills page.
129 bars across 17 sections: 41 keep time, 9 are fills, 46 are stops and 17 are silent. The longest unbroken stretch of time is bars 29-35.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
129 bars, about 3:49 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 12, 24, 28, 48, 80, 84 and 3 more.