232 bars at 160 BPM -- fast, and 5:30 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25, 27 and 29, and 29 more places -- 13.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 56 times: bars 1, 3, 4, 5, 7, 8 and 50 more.
26 more fills are written out on the fills page.
232 bars across 17 sections: 105 keep time, 57 are fills and 50 are stops. The longest unbroken stretch of time is bars 26-39.
160 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
232 bars, about 5:30 at the written tempo. The course breaks it into 89 exercises over 26 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 56 times: bars 1, 3, 4, 5, 7, 8 and 50 more.