111 bars of 4/4 at 137 BPM, about 3:13 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-20, and 5 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 24 times: bars 9, 21, 25, 29, 30, 31 and 18 more.
5 more fills are written out on the fills page.
111 bars across 12 sections: 68 keep time, 24 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 87-95.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
111 bars, about 3:13 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 24 times: bars 9, 21, 25, 29, 30, 31 and 18 more.