67 bars of 4/4 at a walking 105 BPM, 2:33 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-27, 41-47 and 61-64 -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 8, 16, 20, 28, 36, 40 and 4 more.
2 more fills are written out on the fills page.
67 bars across 11 sections: 38 keep time, 10 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 22-27.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
67 bars, about 2:33 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 8, 16, 20, 28, 36, 40 and 4 more.