56 bars, 3:18, at 68 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 15 -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 11 times: bars 16, 24, 25, 28, 30, 32 and 5 more.
5 more fills are written out on the fills page.
56 bars across 7 sections: 33 keep time, 11 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 5-15.
68 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
56 bars, about 3:18 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 16, 24, 25, 28, 30, 32 and 5 more.