128 bars of 4/4 at a walking 100 BPM, 5:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 66, 70 and 74, and 3 more places -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 32 times: bars 1, 2, 4, 12, 24, 28 and 26 more.
10 more fills are written out on the fills page.
128 bars across 12 sections: 81 keep time, 32 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 120-127.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
94 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 65 out of 100; the rest of the number is everything around it.
128 bars, about 5:10 at the written tempo. The course breaks it into 54 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 32 times: bars 1, 2, 4, 12, 24, 28 and 26 more.