149 bars of 4/4 at 120 BPM, about 5:12 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 75-90, 92-93 and 95-98, and 2 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 13 times: bars 15, 16, 25, 26, 27, 28 and 7 more.
149 bars across 10 sections: 93 keep time, 13 are fills, 13 are stops and 18 are silent. The longest unbroken stretch of time is bars 74-110.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
149 bars, about 5:12 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 13 times: bars 15, 16, 25, 26, 27, 28 and 7 more.