107 bars of 3/4 -- not four -- at 115 BPM, 2:47 of playing on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 75-76, 78-80 and 82-84, and 5 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 8, 9, 10, 11, 57, 58 and 11 more.
3 more fills are written out on the fills page.
107 bars across 10 sections: 63 keep time, 17 are fills, 4 are stops and 13 are silent. The longest unbroken stretch of time is bars 14-32.
115 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 53 out of 100; the rest of the number is everything around it.
107 bars, about 2:47 at the written tempo. The course breaks it into 33 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 8, 9, 10, 11, 57, 58 and 11 more.