125 bars of 3/4 -- not four -- at 65 BPM, 5:46 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-7 and 9-19 -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 28, 36, 37, 54, 64, 108 and 9 more.
3 more fills are written out on the fills page.
125 bars across 12 sections: 78 keep time, 15 are fills and 15 are silent. The longest unbroken stretch of time is bars 1-19.
65 BPM, in 3/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
125 bars, about 5:46 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 28, 36, 37, 54, 64, 108 and 9 more.