144 bars of 4/4 at 114 BPM, about 5:03 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12-13, 18-24 and 90-91, and 3 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 21 times: bars 8, 9, 10, 11, 14, 15 and 15 more.
1 more fill is written out on the fills page.
144 bars across 9 sections: 56 keep time, 21 are fills, 5 are stops and 55 are silent. The longest unbroken stretch of time is bars 121-140.
114 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 45 out of 100; the rest of the number is everything around it.
144 bars, about 5:03 at the written tempo. The course breaks it into 24 exercises over 9 sittings, about 24 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 21 times: bars 8, 9, 10, 11, 14, 15 and 15 more.