210 bars of 4/4 at a walking 80 BPM, 10:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 140-141, 144-149 and 152-153, and 1 more place -- 8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 55, 56, 60, 63, 64, 76 and 5 more.
3 more fills are written out on the fills page.
210 bars across 23 sections: 157 keep time, 11 are fills, 2 are stops and 11 are silent. The longest unbroken stretch of time is bars 112-127.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
210 bars, about 10:30 at the written tempo. The course breaks it into 81 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 55, 56, 60, 63, 64, 76 and 5 more.